The sense of moving through molasses or mud. A drawing of the beats, dancing in the space between the beats, pushing and pulling creating a sense of tension both in the body and the body moving through space, while remaining loose and relaxed.Improvisation between dancers and on their own movements.Articulated movement in the torso (chest, rib cage, pelvis, butt) identifying and emphasizing different rhythms. Rather than a single rhythm being used in/with the body mutiple meters or rhythms are used. The center of "energy", focus and even weight shifting moves through various parts of the body polycentric. No limb or part is given precedence over another, but they all work together both in a simultaneous and serialized fashion. An asymmetry and polyphonic look/feel to the body, characterized by an equality of body parts.In this posture a dancer should be able to step in any direction without having to shift their body first. An athletic, grounded, "Earth as Center" or "get-down" body posture and movement, characterized by the weight being held on the balls of the feet, the knees bent over the balls of the feet, the hips pushed back, and the front of the shoulders or the sternum pitched forward over the knees.Based on the Africanist movement principles, they have morphed through exposure to European dances and music forms to create a unique blend that can only be called American. This mode of movement epitomizes the defining elements of Blues music in movement. Quoted from "Damon Stone" by Adam Skoglund : The common thread that unites all dances historic and contemporary is the blues aesthetic. Struttin': One-step dance from Memphis, TN.Gaby Cook demo using the music at Stompology 2016 (Youtube) Music: Nathan Bugh composed a piano piece for it.Trickeration: used by Norma Miller for auditions.Demo by choreographers Natalya Alyssa and Dan Repsch Music: "Wallingford Wiggles" by Glenn Crytzer Syncopaters' (Harlem Mad).Music: "Doin' the Jive" by the Careless Lovers.Doin' the Jive: by Kelly Porter, Joshua Welter and Michael Faltesek. What's Old Is New: discussion of the costumes in Keep Punching (Lindyshopper).(Transcribed/recreated by Solomon Douglas from the movie for swing dancers) Big Apple: Frankie's choreography from Keep Punching.Music: Dipsy Doodle (East Coast), Gangbusters (Vancouver), Tuxedo Junction.Music: Tuxedo Junction, Tain't what you do (Jimmie Lunceford).Wikipedia:Big Apple (dance)/Little Apple.8 count dance, incorporating kick-ball-changes and hitch steps. Heel Shag: Reconstructed swing dance - leader's footwork is inferred from the follow's as we have no direct knowledge.Tandem Charleston, back Charleston (Frankie Manning bibliography).Styles (archaic terminology): Hollywood, Savoy, Groovy."Swing dancing" is actually a large family of dances.
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